Volume I: Paintings<\/strong><\/a><\/h4>\n![\"schad_paintings\"](\"https:\/\/i2.wp.com\/www.christian-schad-museum.de\/wp-content\/uploads\/2016\/01\/schad_paintings.jpg?resize=180%2C236\")
<\/a><\/strong>Christian Schad\u2019s \u0153uvre is characterised by constant experimentation, dialogue with artistic tradition and innovation. In Switzerland, where he fled to avoid military service in 1915, he joined the Dada Movement. In this avant-garde context he created his Schadographs (photographs made without camera or lens), which were featured in an exhibition at the Museum of Modern Art New York in 1937 and have contributed considerably \u2013 along with his portraits \u2013 to his world renown.<\/p>\nHis first paintings in the style of Neue Sachlichkeit were created in Italy in 1923. After returning to Germany, Schad painted numerous highly convincing portraits during the 1940s and began to devote himself to expressive painting. In the early 1960s he turned to Magical Realism as well as resuming work on his photograms.<\/p>\n
This catalogue raisonn\u00e9 published by the Christian-Schad-Stiftung Aschaffenburg (CSSA) is based on an initial collection of materials assembled by the artist\u2019s widow, Bettina Schad (1921\u20132002). In 2000 she established the foundation (CSSA) together with the city of Aschaffenburg, it now holds over 800 works by the artist as well as all of his private effects.<\/p>\n
After extensive research, the art historian Dr. Thomas Ratzka has now provided us with this standard work on Christian Schad\u2019s painting. It is the first of four planned volumes of a catalogue raisonn\u00e9 to be published in German and English. The introduction offers a comprehensive assessment and classification of his extensive work within its contemporary context.<\/p>\n
Volume II: Photographs<\/strong><\/a><\/h4>\n![\"Schad](\"https:\/\/i0.wp.com\/www.christian-schad-museum.de\/wp-content\/uploads\/2016\/01\/schad_phtographs.jpg?resize=180%2C241\")
<\/a><\/p>\nThis second volume is dedicated to Christian Schad\u2019s photographs, which were taken in 1934\/35 and about whose existence little was known until now.<\/p>\n
Photographs of Berlin, portraits and landscapes, as well as abstract motifs are presented here for the first time. The accompanying texts discuss such topics as the relationship between the New Objectivity and photography, Schad\u2019s artistic approach as a photographer, and the use of photographs in the painting of his famous portraits, as well as in his later \u201cSchadographs\u201d.<\/p>\n
These will be the subject of the third volume of the catalogue raisonn\u00e9.<\/p>\n
Volume III: Schadographs<\/strong><\/a><\/h4>\n![\"\"](\"https:\/\/i2.wp.com\/www.christian-schad-museum.de\/wp-content\/uploads\/2018\/04\/CSM_Werkverzeichnis_Schadograph_Titel_english-235x300.jpg?resize=180%2C230\")
<\/p>\n
Christian Schad created what were probably the world\u2019s first artistic photograms and abstract photographs. The third volume of his catalogue raisonn\u00e9 is dedicated to his so-called \u2018Schadographs\u2019.<\/p>\n
Schad arranged materials \u2013 including waste paper, fabric remnants, or even lint \u2013 on light-sensitive paper and exposed these with the help of the sun shining on the windowsill. The results are abstract compositions in the experimental spirit of Dada<\/p>\n","protected":false},"excerpt":{"rendered":"
The Christian-Schad-Stiftung Aschaffenburg researches, presents, and\u2014in a targeted way\u2014acquires Schad\u2019s works. It publishes the catalogue raisonn\u00e9, made up of five volumes, in German and English and supports international research and exhibition projects. Christian Schad: Catalogue Raisonn\u00e9 in five volumes Volume I: Paintings Christian Schad\u2019s \u0153uvre is characterised by constant experimentation, dialogue with artistic tradition and […]<\/p>\n","protected":false},"author":3,"featured_media":729,"parent":702,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8Wgjl-bK","jetpack-related-posts":[{"id":741,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=741","url_meta":{"origin":728,"position":0},"title":"Schadograph No. 11","date":"13. Januar 2016","format":false,"excerpt":"Christian Schad was a pioneer on the path to artistic abstraction after the First World War. With his Schadographs he attempted to turn away from representation within the Dada movement. Schadograph No. 11 was created in Geneva in 1919. It originated in the collection of the Dada theorist Tristan Tzara\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/www.christian-schad-museum.de\/wp-content\/uploads\/2015\/11\/2_schadographie-11-238x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":714,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=714","url_meta":{"origin":728,"position":1},"title":"A Twentieth-Century Artist","date":"13. Januar 2016","format":false,"excerpt":"Christian Schad (1894\u20131982) is one of the most important protagonists of Modernism. His life is closely bound up with the European cities of Zurich, Geneva, Rome, Vienna, and Berlin and reflects in an exemplary way the art movements of the twentieth century: from Dada, Expressionism, and New Objectivity up to\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/www.christian-schad-museum.de\/wp-content\/uploads\/2013\/09\/dsc_0611-208x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":702,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=702","url_meta":{"origin":728,"position":2},"title":"english","date":"13. Januar 2016","format":false,"excerpt":"Christian Schad Museum A New Museum of the City of Aschaffenburg Is Dedicated to His Oeuvre More informations: \u2192 Christian Schad - A Twentieth-Century Artist \u2192 Works \u2192 Schadograph No. 11 \u2192 The Christian Schad Foundation \u2192 Christian Schad Museum Christian Schad Museum, english (pdf, 4 MB) Christian Schad Museum\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1631,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=1631","url_meta":{"origin":728,"position":3},"title":"General Information","date":"29. Januar 2019","format":false,"excerpt":"Christian Schad Museum A New Museum of the City of Aschaffenburg Is Dedicated to His Oeuvre More informations: >> Christian Schad - A Twentieth-Century Artist >> Works >> Schadograph No. 11 >> The Christian Schad Foundation >> Christian Schad Museum Christian Schad Museum under construction Museen der Stadt Aschaffenburg Pfaffengasse\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":723,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=723","url_meta":{"origin":728,"position":4},"title":"Works","date":"13. Januar 2016","format":false,"excerpt":"The Christian Schad Foundation in Aschaffenburg consist of over 3,200 works, which will be exhibited in a changing selection and in a breadth that is unique worldwide. The museum visitor can expect paintings, drawings, prints, collages, and Schadographs from all of the artist\u2019s creative periods, including rare documents of the\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/www.christian-schad-museum.de\/wp-content\/uploads\/2015\/12\/schad_mexikanerin_1930.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":55,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=55","url_meta":{"origin":728,"position":5},"title":"Biografie","date":"26. Juni 2013","format":false,"excerpt":"- 1894 - Geboren am 21. August in Miesbach, Oberbayern. - 1915 - \u00dcbersiedlung nach Z\u00fcrich. Freundschaft u. a. mit Walter Serner, Hugo Ball, Emmy Hennings, Hans Arp, Leonhard Frank, Marcel Slodki. - 1916 - Anf\u00e4nge in der Dada-Bewegung. \u00dcbersiedlung nach Genf. - 1919 - Schad entwickelt die \u201ePhotographie ohne\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/pages\/728"}],"collection":[{"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=728"}],"version-history":[{"count":23,"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/pages\/728\/revisions"}],"predecessor-version":[{"id":1856,"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/pages\/728\/revisions\/1856"}],"up":[{"embeddable":true,"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/pages\/702"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/media\/729"}],"wp:attachment":[{"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/a><\/strong>Christian Schad\u2019s \u0153uvre is characterised by constant experimentation, dialogue with artistic tradition and innovation. In Switzerland, where he fled to avoid military service in 1915, he joined the Dada Movement. In this avant-garde context he created his Schadographs (photographs made without camera or lens), which were featured in an exhibition at the Museum of Modern Art New York in 1937 and have contributed considerably \u2013 along with his portraits \u2013 to his world renown.<\/p>\nHis first paintings in the style of Neue Sachlichkeit were created in Italy in 1923. After returning to Germany, Schad painted numerous highly convincing portraits during the 1940s and began to devote himself to expressive painting. In the early 1960s he turned to Magical Realism as well as resuming work on his photograms.<\/p>\n
This catalogue raisonn\u00e9 published by the Christian-Schad-Stiftung Aschaffenburg (CSSA) is based on an initial collection of materials assembled by the artist\u2019s widow, Bettina Schad (1921\u20132002). In 2000 she established the foundation (CSSA) together with the city of Aschaffenburg, it now holds over 800 works by the artist as well as all of his private effects.<\/p>\n
After extensive research, the art historian Dr. Thomas Ratzka has now provided us with this standard work on Christian Schad\u2019s painting. It is the first of four planned volumes of a catalogue raisonn\u00e9 to be published in German and English. The introduction offers a comprehensive assessment and classification of his extensive work within its contemporary context.<\/p>\n
Volume II: Photographs<\/strong><\/a><\/h4>\n<\/a><\/p>\nThis second volume is dedicated to Christian Schad\u2019s photographs, which were taken in 1934\/35 and about whose existence little was known until now.<\/p>\n
Photographs of Berlin, portraits and landscapes, as well as abstract motifs are presented here for the first time. The accompanying texts discuss such topics as the relationship between the New Objectivity and photography, Schad\u2019s artistic approach as a photographer, and the use of photographs in the painting of his famous portraits, as well as in his later \u201cSchadographs\u201d.<\/p>\n
These will be the subject of the third volume of the catalogue raisonn\u00e9.<\/p>\n
Volume III: Schadographs<\/strong><\/a><\/h4>\n<\/p>\n
Christian Schad created what were probably the world\u2019s first artistic photograms and abstract photographs. The third volume of his catalogue raisonn\u00e9 is dedicated to his so-called \u2018Schadographs\u2019.<\/p>\n
Schad arranged materials \u2013 including waste paper, fabric remnants, or even lint \u2013 on light-sensitive paper and exposed these with the help of the sun shining on the windowsill. The results are abstract compositions in the experimental spirit of Dada<\/p>\n","protected":false},"excerpt":{"rendered":"
The Christian-Schad-Stiftung Aschaffenburg researches, presents, and\u2014in a targeted way\u2014acquires Schad\u2019s works. It publishes the catalogue raisonn\u00e9, made up of five volumes, in German and English and supports international research and exhibition projects. Christian Schad: Catalogue Raisonn\u00e9 in five volumes Volume I: Paintings Christian Schad\u2019s \u0153uvre is characterised by constant experimentation, dialogue with artistic tradition and […]<\/p>\n","protected":false},"author":3,"featured_media":729,"parent":702,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8Wgjl-bK","jetpack-related-posts":[{"id":741,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=741","url_meta":{"origin":728,"position":0},"title":"Schadograph No. 11","date":"13. Januar 2016","format":false,"excerpt":"Christian Schad was a pioneer on the path to artistic abstraction after the First World War. With his Schadographs he attempted to turn away from representation within the Dada movement. Schadograph No. 11 was created in Geneva in 1919. It originated in the collection of the Dada theorist Tristan Tzara\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/www.christian-schad-museum.de\/wp-content\/uploads\/2015\/11\/2_schadographie-11-238x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":714,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=714","url_meta":{"origin":728,"position":1},"title":"A Twentieth-Century Artist","date":"13. Januar 2016","format":false,"excerpt":"Christian Schad (1894\u20131982) is one of the most important protagonists of Modernism. His life is closely bound up with the European cities of Zurich, Geneva, Rome, Vienna, and Berlin and reflects in an exemplary way the art movements of the twentieth century: from Dada, Expressionism, and New Objectivity up to\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/www.christian-schad-museum.de\/wp-content\/uploads\/2013\/09\/dsc_0611-208x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":702,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=702","url_meta":{"origin":728,"position":2},"title":"english","date":"13. Januar 2016","format":false,"excerpt":"Christian Schad Museum A New Museum of the City of Aschaffenburg Is Dedicated to His Oeuvre More informations: \u2192 Christian Schad - A Twentieth-Century Artist \u2192 Works \u2192 Schadograph No. 11 \u2192 The Christian Schad Foundation \u2192 Christian Schad Museum Christian Schad Museum, english (pdf, 4 MB) Christian Schad Museum\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1631,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=1631","url_meta":{"origin":728,"position":3},"title":"General Information","date":"29. Januar 2019","format":false,"excerpt":"Christian Schad Museum A New Museum of the City of Aschaffenburg Is Dedicated to His Oeuvre More informations: >> Christian Schad - A Twentieth-Century Artist >> Works >> Schadograph No. 11 >> The Christian Schad Foundation >> Christian Schad Museum Christian Schad Museum under construction Museen der Stadt Aschaffenburg Pfaffengasse\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":723,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=723","url_meta":{"origin":728,"position":4},"title":"Works","date":"13. Januar 2016","format":false,"excerpt":"The Christian Schad Foundation in Aschaffenburg consist of over 3,200 works, which will be exhibited in a changing selection and in a breadth that is unique worldwide. The museum visitor can expect paintings, drawings, prints, collages, and Schadographs from all of the artist\u2019s creative periods, including rare documents of the\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/www.christian-schad-museum.de\/wp-content\/uploads\/2015\/12\/schad_mexikanerin_1930.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":55,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=55","url_meta":{"origin":728,"position":5},"title":"Biografie","date":"26. Juni 2013","format":false,"excerpt":"- 1894 - Geboren am 21. August in Miesbach, Oberbayern. - 1915 - \u00dcbersiedlung nach Z\u00fcrich. Freundschaft u. a. mit Walter Serner, Hugo Ball, Emmy Hennings, Hans Arp, Leonhard Frank, Marcel Slodki. - 1916 - Anf\u00e4nge in der Dada-Bewegung. \u00dcbersiedlung nach Genf. - 1919 - Schad entwickelt die \u201ePhotographie ohne\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/pages\/728"}],"collection":[{"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=728"}],"version-history":[{"count":23,"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/pages\/728\/revisions"}],"predecessor-version":[{"id":1856,"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/pages\/728\/revisions\/1856"}],"up":[{"embeddable":true,"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/pages\/702"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=\/wp\/v2\/media\/729"}],"wp:attachment":[{"href":"https:\/\/www.christian-schad-museum.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/a><\/p>\nThis second volume is dedicated to Christian Schad\u2019s photographs, which were taken in 1934\/35 and about whose existence little was known until now.<\/p>\n
Photographs of Berlin, portraits and landscapes, as well as abstract motifs are presented here for the first time. The accompanying texts discuss such topics as the relationship between the New Objectivity and photography, Schad\u2019s artistic approach as a photographer, and the use of photographs in the painting of his famous portraits, as well as in his later \u201cSchadographs\u201d.<\/p>\n
These will be the subject of the third volume of the catalogue raisonn\u00e9.<\/p>\n
Volume III: Schadographs<\/strong><\/a><\/h4>\n<\/p>\n
Christian Schad created what were probably the world\u2019s first artistic photograms and abstract photographs. The third volume of his catalogue raisonn\u00e9 is dedicated to his so-called \u2018Schadographs\u2019.<\/p>\n
Schad arranged materials \u2013 including waste paper, fabric remnants, or even lint \u2013 on light-sensitive paper and exposed these with the help of the sun shining on the windowsill. The results are abstract compositions in the experimental spirit of Dada<\/p>\n","protected":false},"excerpt":{"rendered":"
The Christian-Schad-Stiftung Aschaffenburg researches, presents, and\u2014in a targeted way\u2014acquires Schad\u2019s works. It publishes the catalogue raisonn\u00e9, made up of five volumes, in German and English and supports international research and exhibition projects. Christian Schad: Catalogue Raisonn\u00e9 in five volumes Volume I: Paintings Christian Schad\u2019s \u0153uvre is characterised by constant experimentation, dialogue with artistic tradition and […]<\/p>\n","protected":false},"author":3,"featured_media":729,"parent":702,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8Wgjl-bK","jetpack-related-posts":[{"id":741,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=741","url_meta":{"origin":728,"position":0},"title":"Schadograph No. 11","date":"13. 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His life is closely bound up with the European cities of Zurich, Geneva, Rome, Vienna, and Berlin and reflects in an exemplary way the art movements of the twentieth century: from Dada, Expressionism, and New Objectivity up to\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/www.christian-schad-museum.de\/wp-content\/uploads\/2013\/09\/dsc_0611-208x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":702,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=702","url_meta":{"origin":728,"position":2},"title":"english","date":"13. 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Januar 2019","format":false,"excerpt":"Christian Schad Museum A New Museum of the City of Aschaffenburg Is Dedicated to His Oeuvre More informations: >> Christian Schad - A Twentieth-Century Artist >> Works >> Schadograph No. 11 >> The Christian Schad Foundation >> Christian Schad Museum Christian Schad Museum under construction Museen der Stadt Aschaffenburg Pfaffengasse\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":723,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=723","url_meta":{"origin":728,"position":4},"title":"Works","date":"13. Januar 2016","format":false,"excerpt":"The Christian Schad Foundation in Aschaffenburg consist of over 3,200 works, which will be exhibited in a changing selection and in a breadth that is unique worldwide. The museum visitor can expect paintings, drawings, prints, collages, and Schadographs from all of the artist\u2019s creative periods, including rare documents of the\u2026","rel":"","context":"\u00c4hnlicher Beitrag","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/www.christian-schad-museum.de\/wp-content\/uploads\/2015\/12\/schad_mexikanerin_1930.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":55,"url":"https:\/\/www.christian-schad-museum.de\/?page_id=55","url_meta":{"origin":728,"position":5},"title":"Biografie","date":"26. Juni 2013","format":false,"excerpt":"- 1894 - Geboren am 21. August in Miesbach, Oberbayern. - 1915 - \u00dcbersiedlung nach Z\u00fcrich. 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<\/p>\n